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Mr. Softee

Like all street vending, ice cream trucks are more of a phenomenon in New York City than they were in suburban Southern California, where I grew up. As a result of my sheltered upbringing, I have a tendency to see them as a nuisance rather than viewing them through a lens of childhood nostalgia. I don’t understand the attraction of Mr. Softee ice cream to begin with; I had some the other night in a fit of heat prostration, and it was like eating chilled mucilage. But my issue is primarily with the goddamn awful little jingle the trucks play at top volume. Roger recalls the song with great fondness; he was telling me a while ago that he and his mom called it the “ringy padingy” song, or some such — that’s basically the melody right there, encapsulated in its own petri-dish-agar of sicky-sicky-cute.

Why the rage? OK, see, there’s a particular Mr. Softee truck which hangs out on my street — it always seems like it’s right under my window — late into the season, like November, playing its horrible insipid little jingle at hours when I’m certain there can’t possibly be any more children buying. I think I posted something about my run-in with a Mr. Softee driver named Sasha earlier. I’m still convinced he’s dealing out of that truck. He told me business was great.

Anyway, I’ve found the sheet music for that jingle online. Now all of you outside NYC can get an earful of one reed of the vox humana of our fabled noise pollution. Plug those notes into your MIDI player. Suffer!

Post ‘Em If You Got ‘Em

If you live in New York City, have a color printer, and know where the above image goes, I encourage you to download and make use of these. They’re all to scale, so you won’t need to resize them (though clipping them once they’re printed is recommended); each one will print on a single 8.5″x11″ sheet. The ones with “crop” in the name use slightly less ink. One of the first three is slightly smaller for side displays. Disclaimer: I take no responsibility whatsoever for the consequences of anyone making use of my art.

Good God

One degree of separation from a Memepool story today was Ship of Fools, which bills itself as “The Magazine of Christian Unrest.” Every earful of religious questioning I catch makes me deeply relieved. Check out their “Fruitcakes” section.

San Diegan Teen Prigs Say “Go Back Home And Sit On Your A$s — It’s Healthy!”

From the San Diego Union Tribune: the inevitable demonization of DDR, in this case for drug images. The perps: a bunch of nervous prude teenagers. [Full disclosure: Probably would have been me as of seven years ago. Hooray for growing up and pulling the stick out of your a$s.] Way to go, Nancy Reagan; ruin our fscking fun. So, what — they don’t have issues with the overt militarization of youth through the songs of Captain Jack? Or the stereotypes? What about the stereotypes?! *I* have problems with that… grumble…

Pynoman Back In Action!

I don’t know when it happened, but the Pynoman website, devoted to a character spun off my cousins’ old punky/new-wave-y band, Psycotic Pineapple (note mention on Japanese site — is that a song title?), has gotten a makeover. Looking good, and there’s even some merch. I was supposed to get a vinyl at some point…. wha happen?

Credibility

Lately IÂ’ve been feeling like since I left my after-school teaching position in the Bronx and dropped out of the anti-globalization movement, thereÂ’s been little in my life worth writing about. IÂ’m not exposed at great lengths to anyone whoÂ’s really different from me in basic outlook. Nothing has challenged me to look much beyond my own navel.

Then one of our editors committed public suicide.

Early last week, the press association I work for got email from a trustworthy source within our network of friends in the organizing community saying that Rance Huff, the editor of Black Reign News, had died of a brain aneurysm. The Black Reign is based out of a long-standing African-American community at the northernmost end of Staten Island. ItÂ’s noteworthy among community papers for its vocal commitment to social justice. Additionally, Rance was very young, only thirty-three.

The spirit in our office was dampened for the rest of the day. My boss built our chapter of the association paper by paper, and sheÂ’s very close with many of our editors and publishers. Rance was one of them. Like many of our editors, he was the organizing drive behind Black Reign. There were concerns the paper would fold without him. WeÂ’d lose a member, and another African-American community would lose its voice.

Looking grim, the boss set about making calls to allies and to our national office, in hopes we could set up some sort of memorial fund or scholarship in RanceÂ’s name. Plans were made to include a memorial in the weekly news digest section of our website.

Thursday morning, shortly after I’d settled in to my inbox and morning tea, the boss called out, “Rance isn’t dead.”

There’s always that moment after someone says that where you hesitate, not sure whether you should be saying “Yes, dear, he lives on in our hearts,” patting her shoulder with one hand and dialing Mental Health Services with the other. The office fell silent; the interns stopped shuffling papers.

The Black Reign had printed a – retraction? — is there a name for the kind of article a newspaper prints when its editor comes out and admits heÂ’s publically faked his own death? — written by Rance himself. It was titled “A Lesson Before Dying: Internet Hoaxes & Embracing My Heritage.”

It began by explaining that RanceÂ’s mother, who had him out of wedlock, gave him the last name Huff. His fatherÂ’s last name had been Jackson. Rance went on to lend his wife and children his fatherÂ’s last name. He explains that he didnÂ’t want his kids to feel the “self-doubt” he did from being tagged with a name that wasnÂ’t really his. “I would grow up in a society that would religiously and socially define me as a “bastard,’” he wrote, identifying this as one of many stigmas of poverty:

if you are lucky enough to escape and rise above your circumstances, you must still carry scarlet letters that stay with you seemingly forever. When you get to college and socially interact with people from different financial strata than you, despite the thickest of skins and most confident ego, there can still be little slivers of questions and inferiority. The food stamps. The free cheese. The welfare checks. The hand-me-down clothes. Sometimes those things stay with you longer mentally after you have left them behind physically.

With his children growing up to identify with his “nom de plume,” Rance wrote, he realized he had put his kids in exactly the fix he had been hoping to avoid. So, after giving it some thought, he’d decided to go back to being Rance Jackson – by killing off Rance Huff with a giant stunt in his newspaper.

This was a baffling explanation. Rance himself admitted that being born out of wedlock isnÂ’t a big deal “growing up as a child in the projects of New York City… because nearly everyone else is in the same boat.” IÂ’d hazard the claim that thereÂ’s plenty of places, your average college being one of them, where itÂ’s not an issue anymore.

So if itÂ’s not that big a deal, why make it one? People who have pulled themselves up by their bootstraps donÂ’t usually go phoenix on your a$s and make headlines in their reckoning of the process. Our office wouldnÂ’t have been caught off guard if ceremonial suicide and resurrection were a regular part of the process.

Adopting the ersatz-Victorian tone found in Onion editorials, Rance continued:

…over a year ago, a small group of editors and I discussed ending Mr.Huff’s life in dramatic fashion. We are in the business of selling newspapers and we thought it would make excellent fodder to kill off a pen name in memorable fashion.

By this point, our ad co-op director was nearly leaping off the walls in frustation. His stock in trade is circulation, and he’s compelled to dramatically revise almost every publication’s own account of its circulation down. Some of the smaller tabloid weeklies claim readership in the tens of thousands, and that’s just in the city. Companies have to trust our judgement when it comes to placing ads in the generally unknown community and “ethnic” publications we work with; the papers’ exaggerations sabotage their own income stream and make the ad director’s job harder. Seeing Rance’s stunt as more of the same, the ad director threatened to quit and go work in the for-profit sector.

I tried for a while to understand the stunt from other points of view. Maybe the logic of killing off your personified stigma to teach others to question what they read makes more sense when viewed from the projects. IÂ’m not going to be able to reach Black ReignÂ’s readers to ask them how they felt about all this. Did my co-workers and I not read this right because, as outsiders to the African-American community, we missed some tone or other cue that would have tipped us off that this was a hoax? I would have known to be on guard if this was early April, but it was late July. Maybe I didnÂ’t read the obituary closely enough.

Perhaps, I thought later, he presumed his readers would see him around the neighborhood and know it was all a lie, thus receiving the wisdom of the homily before Rance smacked us with it in his editorial. This would only work if Black Reign had a ridiculously small circulation. He notes that “a small handful of our readers called to determine the validity of our report,” but I suppose he could be cutting corners; maybe they’d actually called to express condolences and had determined the report’s validity by accident. What exactly did he think he was doing to the readers who cared enough to bring hot dishes or wreaths or a shoulder to cry on over to the widow Jackson, or who, like my boss, set up scholarship funds in his name? Were they supposed to take the time to reflect on their foolishness for believing him? And how were they supposed to act on news he printed in future issues?

Why melt down your own credibility so spectacularly in full view of your community? The worry around the office is that this event will damage the credibility of the ethnic press, already held in low regard in many circles and not helped any by the inflated circulation counts. It’s our job to help improve their image. I donÂ’t think my boss or the ad director will recover.

The irony here is in the moral of RanceÂ’s editorial:

If we, as a community, are going to make the internet a tool which we use to improve our community, then we have to become a lot smarter about how we decipher and disseminate information on the internet.

Additionally, we have to learn how to question the news we
receive on television, radio and newspapers. Regardless of what you may think, every media outlet has a slant on the truth. And because major media outlets have been co-opted by corporate America, we have even more reason to question what is being reported and how it is reported.

This corresponds to the “Internet Hoaxes” part of the editorialÂ’s ill-conceived title. Rance explained that Black Reign had recently “been subjected to requests” to write articles on Tommy HilfigerÂ’s racist remarks on Oprah, a conspiracy to criminalize Black people through their credit card reports, and legislation which was soon to expire, costing Black people the vote. All of these were rumors, Rance says (a number of sites back him up on the Hilfiger story; I didn’t check the others) circulating by email. He additionally mentions the recent headline-making re-release of a video clip in which the Reverend Al Sharpton appears to be discussing a drug deal, pointing out that not only does Sharpton claim the clip is taken out of context, but other local news sources that have run the whole video corroborate.

The latter incident has certainly presented a good moment for everyone, regardless of background, to reflect on the standards and methods of journalism. Rance’s editorial continues from that point to exhort readers to independently check what they read by seeking other sources. “The lesson here,” he writes,

is that we must always question what we read or hear in the news. It is why Rev. Sharpton is correct when he states that the media too often tries [sic] to tell the Black community who their leaders are, in the way they present information. Which is why there is always a need for a vigilant Black press.

Even so, question what you read in the Black press also. Hold us to the same standard. Which is why we opted to kill Rance E. Huff in such a public way. Who would question it if we reported it? Would people blindly accept it as fact or would they seek other sources to verify what we were printing?

I think he’s absolutely right about the need for a vigilant press, Black or otherwise. And it’s fantastic that any editorial should display such humility. Still, Rance went too far. Simply on the shooting-yourself-in-the-foot tip, he went too far. Beyond that: Every news source should be so honest, but no news source should lay down its responsibility to check its facts and then report them. A newspaper is one of the social mechanisms on which we place the responsibility for doing deeper-than-usual inquiry. (I hear you sharpening your media-crit fangs out there; settle down, I mean “in the best of all possible worlds.” A paper which makes striving to make a better world part of its mission, which Black Reign does, maybe needs to try harder than other papers, no?) We need this – we pay for this – because we don’t have time to do that inquiry ourselves. The boss really wouldn’t appreciate all the calls to Afghanistan and Washington every time there’s new bogus military reports. The more freelance work I do, the more respect I have for how much time and effort even daily journalism takes, much less investigative work.

* * *

Why should you believe anything IÂ’ve written here? YouÂ’ve probably never heard of Black Reign News before; maybe it doesnÂ’t exist. (Their website is a veritable fsckinÂ’ leprechaun; I challenge you to catch it in working order. Ooh, that metaphor also works because itÂ’s mostly green. And butt-ugly.) I havenÂ’t given any names; IÂ’ve been vague about my sources. The DSWJ isnÂ’t a news site, though the fact that I work sometimes as a freelance writer may cause some confusion on that front.

Credibility can be invested in any number of human systems — religion, government, the free market, journalistic objectivity — but all of those have had their fallibility blown to smithereens so recently even little kids know not to place their trust in them. We are back to the basic unit of credibility — our own word and the trust others come to place in it. Rance gambled his. IÂ’m struggling to maintain mine.

ItÂ’s not too hard to build those units of credibility into small-scale systems. All of us know which of our friends are prone to exaggeration; who can be trusted to show up when youÂ’re moving to a new apartment and whoÂ’s just saying they will; when itÂ’s socially OK and not OK to tell white lies. The problem now is that our small-scale systems are, before our eyes, spiraling into their place as tiny fractals along the arms of a vast, chaotic social and informational system. That systemÂ’s influence on our smaller systems is more than any of us is currently equipped to handle.

IÂ’ve been thinking about this lately as I consider graduate school (and how poorly set up it seems to handle these new problems). I think kids are going to need a basic toolkit. It should include, among other things:

  • (From the Chomskyan media crit tradition) Know where the money is behind whatÂ’s being said: whoÂ’s being paid to say or not say something. Similarly, know who owes who favors, or who is being threatened with death, injury, loss of a loved one or livelihood, etc.
  • (From the journalistic tradition) Verify everything with at least two other sources.
  • (From some bastardized version of science) Remember: A hypothesis is not a law.
  • (From art, psychoanalysism and social science) Follow your gut instincts when they urge you to ask a question. Question your need to question. Repeat.

If you have other things to add to this toolkit (or recommendations for a graduate education or communications school which would be able to handle this line of inquiry) please post a comment below.

“ethnic:” I hate the word; itÂ’s an ugly shorthand for “immigrants and people of color” which smacks of “No Irish Need Apply” to me.

Penn and Teller Rip Your Ignorant A$s Up

Lo: Teller riffs on grammarians (much more concise than my own) and Penn flashes his Fourth Amendment rights to National Guardsmen. I didn’t know the two of them share a website. (insert exclamation here)

City of Boredom?

I keep checking the 7 train on the NYC subway bloggers list, hoping I’ll find someone who’s worth going out to coffee with, but it’s just not happening. Most bloggers don’t present themselves as interesting people. Witness:

just a bunch of personal, popculture, and buffy banter

quasi-daily posts of happenings in my life. (from a blog named Like It Matters)

my journal. full of rants. about guys. and occasionally, about me. haha. enjoy.

basically its about two girls and their view on life 🙂

daily life by a girl whos just figuring out life

Stuff. Yep, all about stuff.

The words “musings,” “ramble,” “rant,” “babbling,” and “stuff” show up with alarming regularity in these blog descriptions, unbolstered by any suggestion of what the content is about. I’m especially anxious about the use of “life,” as in “about life,” as if life were a weighed and measured packet doled out to everyone equally. You’d think we’ve all heard enough about botulism poptarts in Afghanistan by now to know that life isn’t an MRE…

Worse yet, many bloggers seem to have succumbed to ennui or self-hatred. As in:

This is just a blog like any other blog. It gathers the babblings of just any other girl.

no point really, it’s just whatever i feel like sharing.

Self-deprecation and a big ego flourish in Sunnyside…

…it’s like ‘That Girl’ meets ‘Sid and Nancy,’ but less heroin and more shoes, coffee, and clumsiness.

one girl’s relentless pursuit of boredom

Well, so, maybe this is Queens, right? Surely people in Manhattan are having more fun, and have a better sense of what their lives are about. Let’s look at the 6 train:

Weird random stuff that I don’t give much thought to…

Mindless banter from an exceptional yet unemployed NYer

Random rantz on life as I see and experience it.

Daily look into my life.

Things about me. Random rants and raves.

my observations on life. pretty boring and self-centered. 😛 (taciturn.blogspot.com)

My personal blog, of great interest to my mom and much less so to others.

ARGH! i suck at this describe yourself thing, go read and figure it out for yourself

some silly things that i write

Bitching to hear myself bitch.

feigning intellect

read it and mock

webSighs

Lots of text and some pretty colors.

Can I worry about this, please? I think I want to worry about this. I’m going to blame it on American culture again, ok? It’s not just that I hate American society and culture on their own merits; it’s that I hate how it makes people hate themselves and their lives because they’re not worth SELLING. C’mon, people! Everyone has a reason to get other people interested in their lives! If there really truly isn’t, it’s time to MAKE ONE!

oh, well. I suppose diaries don’t have to have an editorial vision.

It does, I’ve found out, that people with more unusual descriptions have more interesting blogs. For example, this guy. “One nation, that has never heard of your nation…” tee hee.

Desultory Music Review

At H2K2, there was a guy who addressed peer-to-peer music sharing. (Later, he made a pass at me, and I apologized and said I was taken and gave him my card. Where did he go? silly.) One of the things he kept saying is that we canÂ’t be ashamed of sharing music. WeÂ’re not stealing; from whom are we taking value? Not the people who give us the music; they still have their copy. The musicians are already being robbed blind by labels, and we need to find other ways to pay them. (Some people say live concerts, with which I heartily agree.)

[IÂ’ve had occasion to think about similar issues from a writing standpoint at work lately, though IÂ’m not sure how to fit this ultra-bleeding-edge kind of critique into the dead-tree-oriented work I do under the guidance of a stodgy old-school New York leftist…

The one thing I do know is that I donÂ’t think anyone should make a living off writing memoirs and personal essays. Not anyone. Possibly people shouldnÂ’t get paid for fiction or poetry, either. Do it in your off hours, when youÂ’re not plumbing or teaching or farming or signing off on contracts which enrich you by exploiting the work of others (at least until the system collapses and takes the latter kind of work down too). ItÂ’s great that right now some people want to pay for this stuff, and I do exploit it, but IÂ’m coming to think of getting paid for most writing as an unsustinable by-product of the current corporate system. This kind of writing (this kind. right here. and I extend the categorization to include anything written by Philip Lopate, Adrienne Rich, Barbara Kingsolver, Piers Anthony, Malcolm Gladwell, Neil Postman, anyone who writes product feature or home-decoration pieces for magazines, and, um, other writers who I dislike for either personal, political, or aesthetic reasons) doesnÂ’t do anything useful for the world as a whole.

By contrast, I think real honest-to-god journalism is valuable, and requires a good deal of time-consuming work to do well; I was struggling to think of a sustainable system for paying journalists that didnÂ’t compromise their ethics by making them dependent on some large corporation… so I thought about state sponsorship, which is obviously fatally flawed… Anyway, more thoughts on this sometime.]

Annnyway, so this guy suggested possible ways to help entrench music sharing into culture until weÂ’re able to squeeze control of art out of the hands of the giant profitmongering media conglomerates. The proposal that I remember particularly is having parties where everyone brings drives and disks full of music, rips them, shares them, heads home, and comes with a new set for the next party. IÂ’d actually recently been to something like (only more one-sided) at JessamynÂ’s Fourth of July party, during which CDs were ripped continuously, adding to her already huge selection of MP3s. Seems like a good model, and I do always like practical applications to visionary whining.

Robert Durff sent me a CD for my birthday which I found fit well into what I’ve been looking for from music recently. He was surprised when I told him so, because the last thing I told him I was into was “Latin.” Which is still true, really. The bulk of the music I listen to has Latin roots, mostly because I find immersing myself in it is less irritating than immersing myself in the remaining trickle of the mainstream American rock tradition, which is so polluted with influences and demography as to be unswimmable at this point.

So. LetÂ’s all get together and swap. HereÂ’s what IÂ’ve ingested over the past year; if you want some lemme know; if you know similar things I might like, tell me. HereÂ’s reviews, which IÂ’ve arranged according to my foraging patterns in response to record industry hysteria. Notice not one of these musical interactions involves theft, though one does involve questionable borrowing.

These are CDs IÂ’ve actually bought in the past year:

  • Groove Armada, Goodbye Country (Hello Nightclub)

    If you listen to KCRW, youÂ’ve heard them, because theyÂ’re good for Los Angeles nights.
  • Los De Abajo, Cybertropic Chilango Power

    Hear them for yourself at www.luakabop.com
  • Zuco 103

    Itchy itchy dance grooves from Brazil.
  • Dan Bern, Smartie Mine.

    Sounds like the living heir to Bob Dylan sometimes, Elvis Costello others. Unholy good driving music; “Ballerina,” in particular, makes me want to take a road trip just to do it justice. He gets filthy sometimes (there’s a whole song about his giant balls, and Tiger Woods, and Muhammad Ali), and you’d think he was a conpiracy theorist by hobby, but isn’t that how a post-Nirvana Dylanist ought to be?
  • Erin McKeown, Monday Morning Cold (and James gave me Distillation)

    SheÂ’s little and cute and doesnÂ’t sing that way, god bless her. Sort of music-hall, sort of gutbucket, sort of ragtime and hot jazz.

HereÂ’s artists IÂ’ve copied in bulk in the past year:

  • Immortal Bhangra 5

    Borrowed it from an editor who pissed me off. Someday, IÂ’ll give it back, but not now, ha ha. Ripped all the songs, which I donÂ’t listen to all that often. Straight bhangra doesnÂ’t appeal to me as much as dance mix bhangra, except of course for Gurdas Mann; I find the very high-pitched soloistsÂ’ vocals distracting.
  • Caetano Veloso

    Borrowing CDs from the library + burning them is goooood cleeeean fuuuuun! Unfortunately, my burn turned out badly. Veloso’s sambas and bossas are cool and smooth, less jumpy and more adult than most of the “world music” I get into these days.
  • Fussible

    Featured on Audiogalaxy shortly before it closed, this Mexican electronica (trance? I never know how to categorize) group is really one of my favorites, with nicely subdermal, walking-pace bass.
  • Orishas, A Lo Cubano

    A clean, innovative mix of Cuban, rap and other styles which we listened to death at work. One or two of the vocalists have voices I find super-sexy.

HereÂ’s copied music IÂ’ve been passed in the past few weeks:

  • Barcelona

    Neil handed me one of their albums. Their songs are almost entirely about geeking out — video games, sysadmin work, Commodore 64s — and they rely on old-sounding computer sounds as well as some sort of garage band setup. My favorite: “Social Engineering” (will get you what you want). A little too close to pop alternative for me on the guitar front (boring, repetitive chords), but the lyrics make it worthwhile.

    Neil tacked on a song by Figurine (Our Game (Is Over)) at the end, which is more entirely bloops and bleeps; itÂ’s sparer than Barcelona, and sounds like early eighties experimentation with synths, maybe Depeche Mode? Sprinkled with delicious video game noises, which I think is a hallmark of our generation, I could be wrong. NeilÂ’s notes imply that it was remixed with some sort of AI.
  • ”Still Waters: Lounge, Trip Hop, and Acid Jazz from Robert (Durff)Â’s Hi-Fi”

    Zero Seven, Rinocerose, Thievery Corporation, and other good things, burned for my birthday. Pizzicato Five and Lovage are my favorites.
  • HereÂ’s CDs IÂ’ve received in the past week and have only barely listened to:

    • Rachelle Garniez and the Fortunate Few, Crazy Blood

      Rachelle gave me her CD Sunday as I was interviewing her for an article IÂ’m working on. SheÂ’s an accordion player, grew up in NYC — sheÂ’s half Belgian, and has this funky throaty accent. SheÂ’s had this kind-of-ethereal-like-Katherine-Whalen-but-a-little-more-twisted,-like,-uh…-Kate-Bush?-I-donÂ’t-know thing going on. She and this other accordion player have a semi-regular gig with a guitar player at LilyÂ’s in Red Hook, which has a nice back patio but is a bitch to get to by subway. Some Leon Redbone-sounding blues stuff, tango, jazz. Go! LilyÂ’s has tiki torches!
    • dj Cheb i Sabbah, Krishna Lila

      Heard him spin at a club in San Francisco, and it was truly fantastic stuff, African, Arabic and Indian dance music. Here heÂ’s taking devotionals and adding a beat underpinning that is subtler and more suited to the classical style than a lot of the hip-hop trash which gets slapped onto bhangra.

    HereÂ’s a CD I ordered and havenÂ’t received yet:

    • Negativland, Dyspepsi

      Yes, itÂ’s many years old now, I donÂ’t care. I couldnÂ’t get the anti-Pepsi jingle Mark Hosler played at H2K2 out of my head, and I felt guilty I was hanging around their table all day talking about Jon Land and never got around to buying anything. so itÂ’s coming to me, fully paid, in the mail. You have to support artists whose legal fees tend to skyrocket unexpectedly.

    HereÂ’s stuff off of cassette tapes IÂ’ve been turning into MP3s, but it probably wonÂ’t piss off the RIAA:

  • PYSO Coast to Coast concert, I think 1991

    ItÂ’s the stuff our youth orchestra played in Carnegie Hall, only this tape was recorded in Ambassador Auditorium back home in Pasadena, and includes solos, one by a flutist named Gregory Jefferson who I always thought was just way too good for junior high. Features FiddlerÂ’s Stew by Richard Meyer. Anyone want a copy? IÂ’ll swap for some of MeyerÂ’s other works 🙂
  • The song I wrote at the Young WritersÂ’ Workshop in 1994

    Featuring me on accordion and vocals, Lindsay Smith also on vocals, Greg Howard on Chapman stick, and I think a counselor named Charles on chicken shake. I think I called it Amphibian Astronaut Guys. OK, so that link is dead right now… I promise I’ll upload it sometime, like when I figure out how to make the server stop sucking.
  • Soon I plan to make MP3s out of the old hard, pre-vinyl records in my basement (Robert says theyÂ’re 78s? and apparently I am not supposed to clean them with alcohol; theyÂ’re shellac, and will dissolve.) Some of them have hand-made labels, and appear to be made by ultra-local New York big bands. The music is not all that spectacular, but IÂ’m looking forward to distributing stuff that could well otherwise be lost.
  • HereÂ’s artists whose tapes I have had forever but havenÂ’t listened to until recently:

    • Los Fabulosos Cadillacs, Vasos Vacios

      Surprisingly like the Migty Mighty Bosstones, with some salsa thrown in for good measure. I think they had a song on the Strictly Ballroom soundtrack.
    • Los Lobos, Kiko and The Neighborhood

      They played Irving Plaza Tuesday, and I didnÂ’t get tix on time, moron that I am. The Village VoiceÂ’s review got them right: they’re Chicano, but they’re definitely blues, too. Also makes for killer driving music.

    HereÂ’s artists I know who deserve mad props:

    • KERMIT CRILL! IÂ’M GOING TO SCREAM HIS PRAISES IN CAPS!

      I’d heard Kermit talk about his legendary Poot Rock for years and thought it sounded like a good idea, but only heard some stray snippets many years ago at a party at Kenji Baugham’s house. Lots of MIDI underpinnings; samples of all sorts of random shit including me yelling “NOOOO DEVOOOO! NOOOOO!” to his answering machine. Has an energy and worldview more frenetic than Danny Elfman film scores; this is not music to put in the background if you need to multitask and think, because it will periodically throw your attention some right hook and proceed to play tetherball with it. Streaming! (use iTunes if you have a Mac). Even Neil was impressed, and he’s picky.

    Does this make my blog look phat?

    Hey, can y’all check in and let me know how the DSWJ looks to you on your different browsers/monitor sizes/OSes? I have had some comments that Netscape makes it all ugly (which is weird, because MT seems to be otherwise configured to work better with Netscape than IE, and this is basically the MT default template). Add comments below, indicating your OS, browser (including version), monitor width if necessary, screeds about noncompliance with W3C standards, dislike of the color purple, etc.