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I give writing advice to Wil Wheaton! Eee hee hee hee hee hee!

After getting 150 accolades from adoring fans, Wil Wheaton wrote that he wanted to pitch this piece to This American Life. So I gave him a little advice on pitching to them. My comment was at 1:47 p.m., his response at 4:15 p.m. — scroll waayyy wayyy down. I’m trying very hard not to let my twelve-year-old inner Trekkie overwhelm me at this point. I can’t afford to spontaneously wet my pants.

Who knows how serious he actually was about pitching to TAL. His site does describe him as “actor and writer Wil Wheaton” nowadays. I was under the impression that his geekitude helped him earn his stripes (and ditch the alt.wesley.crusher.die.die.die stigma) in the Slashdot-oriented community which probably makes up most of his site’s hits nowadays — why not “actor and programmer/hacker/code poet?” What does Wil want out of life — does he secretly yearn to be a novelist? Or what does this tell us about the status of writing in the US today? Are blogs the sign and standard-bearer of a renaissance of American graphomania? Everyone wants to write the Great American Novel…

One more thought: Those 150 love-posts illustrate something I’ve been noticing, namely that the standard of “good writing” for many people of our generation is based on the presence of a whole lot of references to toys and products and candy and other consumables “we” remember from childhood. Ability to evoke a collective memory of the meaning of one doll or action figure within its own commercially-developed pantheon is at a premium.

I don’t know whether to say that this is going to mean that the written record of our experiences is going to ultimately prove ephemeral or not. After all, in another twenty years there could be another mass-marketed Star Wars nostalgia push, and the kids who head out to see Attack of the Clones later this month could end up marveling at how well the bloggers of our generation captured their own experiences, 20 years earlier.

I’m going to go play with my cornhusk dolls and stick horse now. Or maybe some pebbles. I’ll trade you the cluster bomb I just found for a spoiled food packet… enough, enough.

From The Vaults: Summer Evening Dinner With Seismologists

July, 1998

It’s berry season, so for once there was a lot I wanted to eat in this non-vegetarian house. There were few dishes not based on berries. Dried-cranberry challah. Deep-dish pie with blackberries, raspberries, and tiny champagne grapes. A salad with avocado, mesclun greens, raspberries, thick raspberry vinaigrette dressing, strawberries, blueberries, and the blackberries that are so common around here that they choke out native plants. (Conservation organizations up here try to eradicate their thorny vines. I see the tangles growing beside the train tracks as I make my way through the yellow hills on the way to Berkeley. It makes me crazy that I can’t pick any. Last summer at this time I was visiting Evan in Arcata. There were so many blackberries up there that we picked enough for three pies, ate our fill, got tired of them, and still had plenty to use as ammunition in a family fight.)

The room has a low, yellow light to it. The white candlesticks and ceiling lamp give it off, and the blond wood table reflects. One of the things Ross had the five-year-old doing was putting a dishful of squished marbles on the table, the kind that have been heated and flattened. They look so much more valuable than they are in this light– green, and clear, clear with a yellow flower in the center, cobalt. Now that dinner is over people are playing with them. The seismologist across from me has his arranged in a spiral, like a nova. His daughter and wife have worked theirs into complicated square mosaics. Another seismologist made his into a flower– all blue, with a yellow center. I’m being more abstract with mine.

All the seismologists are tanned or ruddy– you never see a pale seismologist. They spend too much time outdoors. Their hair tends to be a little disheveled; they wear polo shirts. Their faces are interesting, craggy. It’s their turn to talk now; their wives have run out of party chatter about kids, schools, and relatives. The seismologists talk earnestly about publication of their colleagues’ papers. One containing some now-doubted claims made it into Science Magazine. Some of the seismologists grumble with concern over this. The man who made his marbles into a flower shrugs, though. “I thought he had a good hypotheses,” he says. Science is, after all, an inexact and plastic art.

The seismologists discuss, with some concern, a colleague by the name of Savage who saw fit to chew out one of his protegés. Apparently Savage finds the mores of modern conversation to be unnecessarily polite. In my experience, this is not a new theme. My father sits with some of the oldest professors at Caltech at lunch. Often over dinner he would shake his head, telling my stepmother about one mysogynist or antiquated tirade or another. I think I recognize the name Savage, and ask about him. Turns out this Savage is not the one I know. Yet the details of this part of the conversation still hold my attention. Sometimes the human dynamics of science are the most interesting part.

The topic turns to the recent catastrophe in New Guinea. Even scientists talk about current events. The daughter of the seismologist who shaped his marbles into a spiral points out with pride that her father was on the news because of the tsunami. “What they were saying was utterly false,” the spiral-seismologist protests. The revival of the issue inspires in him as much worry as watching the news did; his brow clouds. Seismology never translates well to news broadcasts, and the seismologists seem to take each misunderstanding as a personal slight. With each press bungle, they become slower and more careful in how they release information. The media, in turn, sometimes choose to bite the hand that feeds them (who else is going to tell them how strong an earthquake was, and what fault it centered on?) and make the seismologists out to be haughty mad scientists hell-bent on keeping the public in the dark. In the Los Angeles area, hub of both Caltech seismology and Hollywood activity, this leads to uncomfortable detentes after earthquakes.

So the spiral-seismologist called the TV station and told them off, he recounts. The station called him back in a few hours, asking that he do an interview with them. The seismologist’s daughter beams, proud of her dad. He shrugs. Being on TV does not matter as much to him as making sure people are given the best information available.

The hostess, sitting at the head of the table, makes a joke. She wants her husband to move the location of some upcoming family function. “Tell Ross that a tsunami could easily wipe out the roof of the Cliffside Hotel,” she quips, winking at the flower-seismologist. He tilts his head back, calculating in invisible numbers on the ceiling the height of the cliff and the reach of a tsunami. The joke missed him. The other seismologists join in, all serious. They figure on a 75 foot wave, argue over fluke waves in Alaska. Their wives laugh at them.

The seismologists speculate about the likelihood of a tsunami as destructive as the one which hit New Guinea happening in the United States. If anyplace, they agree, it would hit Arcata. (I think of the blackberry bushes ripped out by the wave, Evan’s house underwater.) The area is the most seismically active in the country. Still, nothing has been done to prepare for a tsunami there. Pulp mills and schools are built out on a spit just like the one destroyed in New Guinea. If there was any time to set up a government program, they speculate, it would be now. They look to each other appraisingly. “Ask Ross for some money,” says the hostess to the flower-seismologist. He ducks his head, puts up his hand. It’s not a matter of money, just the government listening.

I feel at home again in this atmosphere. It’s better than most nights.

From The Vaults: Letter To A Timid Traveler

This is why I don’t like travelling into the city. It’s an ordeal, and scheduling is an absolute nightmare.

You are seriously overreacting. Four hours on the bus and half an hour in Port Authority is probably the mildest travel problem you will ever have. Try riding the bus for fourteen hours ending in a wreck, then having the same bus nearly run over you and your travelling companions at top speed as it hurtles down a hill, brakeless. Then, getting stung by a stingray the next day. All of this in a Third-World country with medical assistance unfathomable miles away.

Having been through the latter, Little Grasshopper, I want to impress upon you the importance of cultivating Travel Zen. The truth of the matter is that if you stay calm, laugh at your troubles, and make use of the resources around you, you will rarely find that you fail to glean happiness from travelling. Even if you don’t get where you wanted to go, you will have good stories to tell. Coming to New York and hanging out in Port Authority for half an hour, then turning around and leaving, is not exactly the kind of yarn you’ll see published in National Geographic. (You came to The Big Apple, and you didn’t even partake of the Port Authority Au Bon Pain?!?!)

Here are some hints:

1) Nearly any transportation hub of Port Authority’s size has a paging system. The operators usually keep a record of whether someone has been paged, so if your party arrives in the station later than you, they can get some idea of how long it’s been since you called and where you were going next.

2) You should have left me the time you called and a possible other location where you might be on my answering machine, too; I called to check it. For all I knew you were still in the station when I checked my messages. I was late, too. I combed the station from five to six, not believing that you’d been ludicrous enough to turn right around and gone home.

3) Thus: Travel is a waiting game. It isn’t going to resolve itself right away. Be sure you’ve exhausted all your options before panicking.

4) Contrary to popular belief, you are not going to get mugged in Port Authority. Just stay in well-populated areas and keep your wits about you. I’ve been there past midnight with no problems whatsoever.

5) Talk to bus agents and cops. They’ll help be a second set of eyes for you, and keep an eye on you in case you do get mugged. The cops I talked to today were very simpatico. They even offered to lend me their nightsticks when I explained I’d been stood up for the fourth time.

6) STAY CALM. LAUGH. DON’T GET DISCOURAGED. It’s really pretty fucking funny, when you think about it. Shakespeare and Ionesco and Bronson Pinchot built whole careers out of comedies of errors like this.

I’d love to see you, but frankly, I’m not going to plan my day around it ever again. If you decide you’re coming out, here’s how to get to my house:

  • Get on the 7 *LOCAL* train at Port Authority/Times Square.
  • Don’t worry about which direction it’s going; it only goes one way from there.
  • DO worry about whether it’s a local or express: don’t go by the signs on the side of the train, ask/listen to a conductor or fellow passenger.
  • Get off at [my stop].

If you make it *that* far, give me a call and I will come get you.

regards,

Sabine

From The Vaults: Opinion Poll

Originally published in the precursor to the DSWJ, 02/09/00

THE ADVERTISING INDUSTRY SEEMS TO BE VERY INTERESTED IN MY PERSONAL HABITS! THEY CALL ME AT HOME AND ASK ME QUESTIONS ABOUT MY PRODUCT PREFERENCES! THEY COOKIE MY COMPUTER! THEY SEND POLLS DIRECTLY TO MY HOUSE ASKING WOULD I LIKE A BRAND OF CIGARETTES WITH LESS TAR OR DETERGENT WITH GREATER GREASE-CUTTING POWER! LETTERS TO MY PERSONAL HOUSE!

WELL I WILL NOW MAKE IT CLEAR RIGHT HERE WHAT MY PREFERENCES ARE! I WILL BROADCAST MY PREFERENCES TO THE ADVERTISING INDUSTRY, SO THAT ITS HONEST AND DILIGENT WORKERS NEED MAKE NO MORE EFFORT TO DIG OUT INTIMATE INFORMATION ABOUT ME! HERE ARE VITAL STATISTICS ABOUT MY PERSONAL HABITS AND INTERESTS:

I LISTEN TO SPANISH-LANGUAGE RADIO AND I PREFER CUMBIA TO MERENGUE! I HAVE NO ALLERGIES EXCEPT TO MOZZARELLA! I WEAR MISMATCHED SOCKS! I THINK UNIVERSAL HEALTH COVERAGE IS A GREAT IDEA! YOU MIGHT BE SURPRISED TO LEARN THAT I EAT MY TORTILLA CHIPS WITH HUMMUS AND NOT SALSA! I PICK MY SCABS!

I LIKE MY ANIME WITH SUBTITLES NOT DUBBED! I OWN GOLDFISH! I HAVE A TENDENCY TO LEAVE MY BOYFRIENDS FOR OTHER MEN ENTIRELY UNLIKE THEM! MY HEIGHT IS FIVE FEET TWO INCHES! I TOOK PERSONAL OFFENSE AT THE OVERBLOWN COVERAGE OF PRINCESS DIANA’S DEATH! I DO NOT INTEND TO USE FEMALE CONDOMS AGAIN, THAT WAS A MISTAKE! I CAN TIE A CHERRY STEM IN A KNOT IN MY MOUTH!

THE MUSIC OF THE TALKING HEADS FOR ME IS AN INTIMATE TOUCHSTONE FOR CHILDHOOD MEMORIES! I READ TRADE PUBLICATIONS OF POLICE FORCES RECREATIONALLY! I LOOK MORE LIKE MY MOTHER THAN MY FATHER! MY CONDIMENT OF CHOICE IS GARLIC SALT! I LIKE EGGS! I WILL NOT VOTE FOR EITHER MAJOR CANDIDATE IN THE UPCOMING ELECTION BECAUSE I FIND THEIR LACK OF CONVICTION ALARMING! I DO NOT FIND DAVID SPADE FUNNY, NOT AT ALL, EVER!

NOW I HOPE THE ADVERTISING INDUSTRY WILL SEE FIT TO PROVIDE ME WITH ADVERTISEMENTS FOR PRODUCTS MORE ACCEPTABLE TO ME! PERHAPS I WILL SOON BE PRESENTED WITH TORTILLA CHIPS PREPACKAGED WITH HUMMUS! OR SUBTITLED ANIME ABOUT PEOPLE LIKE MYSELF WHO OWN GOLDFISH AND ARE FUNNIER THAN DAVID SPADE! OR MAYBE A PRO-HEALTH-CARE POLITICAL CANDIDATE WHO ACTUALLY KNOWS THE DIFFERENCE BETWEEN CUMBIA AND MERENGUE!

ALAS I FEAR THAT WITH THE UNERRING INSTINCTS OF THE ADVERTISING JUGGERNAUT AT WORK I WILL BE MORE LIKELY TO FIND MYSELF PRESENTED WITH A FEMALE CONDOM WHICH PLAYS TALKING HEADS SONGS AND TASTES LIKE GARLIC SALT! OR PROBABLY ANOTHER FCCKING MINISERIES ABOUT PRINCESS DIANA!

STILL I AM WAITING WITH BATED BREATH!

Edible

De La Vega’s gallery at 6:30. It’s not like seeing his chalk on the streets; the walls, the floor and ceiling — everything painted. Faces in bellies. Piles of commingled bodies.

The galleries of Harlem. Mixta at 7:00 for poetry. Popo’s with its twists that make everyone laugh. Tato’s where every other line is sung and an edificio abandonado. Fabiola and her bravura combinations of ineffables and water. A poet from Lawrence, MA with a mesmerized bird trapped in his chest. The MC and her Viva La Conga Africana. My functional illiteracy and my brain’s complete inadequacy to take it all in. I left exhausted.

Cache for swing, and I wasn’t exhausted. The perpetual swivel recharges itself. Every man, when you get close enough, has a milk smell around his mouth, like he’s been interrupted from nursing. How is this possible? Even the steady were pulling on bourbons tonight.

On the train home: A Turkish restauranteur with doe eyes like my sister’s. He recommended a book for “anyone trying to find themself.”

The trees on Queens Boulevard are dripping with blossoms. It’s below forty again; a tease. Like leaving with him, but not playing along about missing the last train.

When, in my course of self-imposed seclusion, did the whole world become edible?

Homesickness

I had a flash of panic this morning as I struggled to remember what the leaves of an avocado tree look like.

* * *

There are four columns of businesses named Emergency Locksmith in the New York City telephone directory.

What Goes In The New Yorker — A New Feature

It arrives at my house every Tuesday, and I ought to ignore it. The subscription is free, replenished yearly for my absentee landlady by some unknown donor who seems to think filling her friend’s vacation house with unread copies of a weekly magazine is a thoughtful thing to do.

I’m too lazy to find other reading material, so I carry the week’s copy around in my bag until the next one arrives. If I don’t also have a book at the time, I read everything, from Talk of the Town to The Back Page.

I believe your reading diet influences your writing. I think reading the New Yorker every week has a stultifying effect on mine, both in terms of style and the subjects I choose to contemplate.

Bear with me; I know I’m being really picky to turn up a free subscription to a well-thought-of literary magazine, and I know not everyone thinks the effect of the magazine is detrimental. A former ward of mine from the writing workshop would fall into the latter category, a high school senior named Branden who prefers to go by “God.”

Every time I talk to Branden he’s having some kind of histrionics about not being published yet. His usual routine includes lamentations about Joyce Carol Oates (“Damn you and your publishing-two-novels-a-year!”) and some sort of yearning for a regular gig at the New Yorker. Try as I might to point out that your name has to be John Updike or Haruki Murakami to get into the New Yorker regularly, and that it’s really a good idea to try getting your name known in some other publications first, like Ploughshares or, say, Hanging Loose, Branden isn’t placated.

What Branden, like so many other kids trained to salivate when confronted with prestige, doesn’t know to admit yet is that institutionalized prestige makes things bad. There’s been some real stinky prose in the New Yorker lately, riddled with cliches and adjective-laden prose. They even used “flaunt” instead of “flout” a few weeks back. I wouldn’t complain, but the New Yorker is the publication which is always snide about publications that make mistakes like that, so you’d think they’d be more careful. They can do these things. They set the standard, and if they want to rest on their laurels they can.

Style aside, the content of the New Yorker has been stereotyped to the point of utter predictability for years, as underlined by the 1986 parody Snooze. (I don’t want to hear anything about Tina Brown making it better, or Tina Brown’s departure making it better. I don’t even want to rehash my gripe that she made the publication into a literary ambulance-chaser — “hey, we’ll do Princess Di’s death — only we’ll have SALMAN RUSHDIE do it! People under sixty will actually buy the issue off the newsstands!”) If you read the New Yorker for long enough, you know exactly what you could and couldn’t pitch successfully to the editors.

I’ve made a game out of figuring out what will and won’t go in the New Yorker. For example:

  • Anything which deals with an unsolved puzzle in medicine, preferably one which plagues people over sixty. Not acceptable if the problem is fatal.
  • Family histories, but only if you are from South America. No overt sexuality. Better if your last name is Als or Garcia Marquez.
  • Parody is great for Shouts and Murmurs. Stick to tried-and-true topics, like junk mail or prep-school admissions catalogs.
  • Fishing, no more than one article a week. Delving into trivia; possible topics include rod manufacture, hip-wader manufacture, dam construction, gill aerodynamics, fishing hat aerodynamics, conservation (no wilder-eyed than Walden), thickness of fishing line, silt. Pace of article must not approach the swimming speed of actual fish, not even slow ones.

The goal, ultimately, is to stretch these rules to the limits of sense and figure out how to spin topics the New Yorker would never cover (Hooters, extreme freestyle walking, pollution in Greenpoint, crocheting?) for a successful pitch.

For the benefit of the youngsters, I’d like to open up the comments on this article to further, nuanced exploration of what will and won’t get into the the New Yorker. Add your rules below.

Thoth Wins!

Thoth, the street performer about whom I wrote an article for the Village Voice, was the subject of a documentary film which was nominated for an Oscar, and apparently it won. Though not without Thoth getting harrassed by guards for performing on the red carpet before the ceremonies.

I pitched an article about Thoth initially because I thought he was nuts, or, I don’t know, maybe just because he was fascinating. It’s one of what I hope will be the few times where I succumbed to the kind of doily-burgher features impulse that Tom Wolfe and Hunter Thompson rail against, though I know it’ll probably happen again. Fortunately, the experience of being exposed to anyone on their own terms tends to make it harder for me to hold them at arm’s length. I still find it puzzling that Thoth wants to foster human understanding by singing in a language only he understands; it’s the same kind of thing I never understood about Brecht. But the conversations I’ve had with him between his bouts of fiddling were a balm right after September 11th. He was there in Angel Tunnel, and I knew he’d be there, thinking with both sides of his brain (one of his tricks is writing mirror image words with both hands, at once) and not flying a flag.

The Tingley Report, or Full Waffle Jacket Watch

As of 9:03 p.m. EST on Tuesday, March 19th, there were no new posts on Full Waffle Jacket. FBAEW.

Slid

In this story, there was a fat boy I liked. (A surprising range of stories start that way.) This boy had curly, close-cut hair and a pair of narrow green eyes which should have been a warning.

We both worked at the animal shelter. It was one of the places that seemed right for me, along with karate class. Dogs were very appealing when I was twelve. TheyÂ’d look right at you, and you could give them the crookedest smile back and whisper whatever endearments came to mind, and it wasnÂ’t going to unbalance the universe.

I liked the boy because it impressed me that he liked dogs, too, but he wasnÂ’t just there for the dogs. He bought himself a uniform to be just like the animal control officers. It was tan all over, so he looked like a sandstone cliff. There was something so awesome about it that I watched him whenever I could. WeÂ’d be called to wash dogs together; I didnÂ’t watch where I was shampooing. Sometimes I made my hand brush his through the suds. He cooed baby names at the dogs. You couldnÂ’t say we ever made conversation.

He learned the code the officers spoke to each other on the radio, and, because this made the code more mystical, I learned to speak it too. Only one of us could work the radio at a time, so when he was there, I would watch him frown at the bad news. Sometimes he would casually ask me to get him a Pepsi, staring nonchalantly at the map of the city above the radio.

One day he grabbed me around the shoulders and we walked all the way from the back of the shelter to the front. When it didnÂ’t happen again, I asked his favorite officer whether he ever talked about me. HeÂ’s young, said the officer. I think he gets confused about girls.

The boy rode along with the officers; I followed. We hung around after hours. I heard things the officers didnÂ’t say on the radio. The most senior officer sneered jokes about black women menstruating. The youngest shared tips on making explosives. The boy talked with the officers about shoot-em-up movies. I usually didnÂ’t get to stay as long as he did.

I stopped working for the shelter when I stopped believing the fundamental dogma that any animal is safer dead than homeless and roaming the streets. Or maybe it was because one of the officers commented on my breast size. I was fourteen, anyway. I didnÂ’t need dogs; a guy from another school started phoning in with endearments. The boy from the animal shelter turned fifteen. One day, trembling with adrenaline, he tried to choke my best friend for turning off his computer before math class.

Our high school had an inter-grade Rivalry Day, whose purpose was to remind the freshmen that they were smaller and frailer than the seniors. There was a pie-eating contest and a tug-o-war over a pit of mud. It was a great day when I figured out the teachers took that afternoon to go drink margaritas and gossip at a local Mexican restaurant, and tagged along. But my first year, I was on the field with all the other wretched half-grown kids in the rain of water balloons, trying to sidestep the weapons of the worst boys, who filled their balloons with urine.

Someone grabbed my arms and pushed me roughly towards the mud pit. Twisting, I tried to get a look at the abductorÂ’s face. Hands and front covered with mud and pie. The torso like a wall, trembling mad.

I could struggle; I could claw; I could yell; but I had learned about calculated disinterest by then, and it pleased my center of gravity to do its own work. I slid softly out of his arms.

Sometimes this scene deserves another observance. I go to rallies and watch protesters being taken away, screaming, I am not resisting. Sometimes a friend puts out a hand to help me up, and I say the same thing, as a joke. Sometimes in bed, I gather my various parts away from my partner, thinking, Not yours to own.

* * *

From The Vaults:

Well, in a fit of frustrate procrastination, I just declared to my modmates that for the rest of my life I’ll do nothing but write email and eat pie. (We love our mod kitchen. Eric cooks. He made us apple pie. We love Eric. Sing praises to Saga– whence we steal our apples– and to Eric and to mod life and to pie!) Marian paused for a moment in putting away groceries, and looked at me in the obliquely disapproving way she’s perfected. “Your messages would get kinda boring,” she said, bluntly. I found this to be astute. So my message for this evening is:

If you’re gonna write, you gotta do more than eat pie.

With that, I gotta go start my paper for my Latino Poetry class.

Lovies to all,

G

–to xq 10/15/96