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Thunderbirds are GO!

Sweet! It appears everything’s back to normal around here, or at least patched up enough to give a semblance thereof. *cracks knuckles* Main column, right column, category headings… well, the archive page is still busted, but that’s easy enough to fix. The old stuff from the side column is going away for the time being — you won’t really miss it — and I’m going to link to all the old pages as statics at some point, unless Kellan gets around to decomposing it all the way he did the main column stuff.

(“decomposing”?)

Those of you who asked to be notified about new posts are on a list now. Please tell me if announcements about new posts the main column don’t show up in your mailbox, ok? For some reason it doesn’t seem to be working.

Ohhh, I have such a backlog, you have no idea. Expect long posts.

Youthful Escapism

There are a surprising number of pictures of me trying to wiggle

out of the arms

of various family members

as a baby. Was this actually a pattern for me, or was it a function of having pictures taken — or a function of my selection of family pictures when I was allowed to ransack the family collection in high school?

test5

test5

work damn you

Good Creativity and Bad Information

Yesterday I set out late in the workday to arrange the printing of our Ethnic Press Directory, and managed to come back with the most unbelievable loot.

Not to imply I was slacking; I made sure the designer got through the last corrections, and took his file to the platemaker, and went to see the printer about paper samples. It wasn’t until later in the evening that I hit the Strand and continued my recent book-buying jag (first book in the His Dark Materials trilogy, a sort of a response to the Chronicles of Narnia) and then continued on to Chinatown for a bag of lychees, which are in season.

But there was a lot of downtime at the printer’s and the designer’s, and man, people like that, you know, they have the neatest offices… The designer, in addition to having a shelf full of Seven Stories Press books whose covers he has designed, has accumulated a number of items from the Other White Meat promotional campaign (which I have previously written about in this space). I’ve found some of the materials for this campaign, like the “I Scream, You Scream, We All Scream For Pork Loin” kind of funny, in a silly postmodern kind of way, but what I didn’t realize is that they’re running a rather hefty campaign aimed at children. It includes, I kid you not, a picture book in which two apple-cheeked white kids lead your through a tour of the “farm” where they live, which is clearly a tremendous factory-style operation, though the word “factory farm” isn’t used; there’s no consciousness that there’s ever been any other kind of farm, or that previous kids were encouraged to think about the little red barn with its horse and cow and litter of piglets.

A great deal of first-grade-level text is expended on getting you to think about the apparent spotlessness of the space where the little pigs live, and all the healthy stuff they eat, like corn and soybeans, and just how cute the little buggers are. Then there’s an abrupt transition to those happy moments when your stomach is filled with bacon, without captive-bolt stunners or butchering or any of the other truths of the meatmaking process from which farmers since time immemorial have rarely tried to shelter their children. (Note that article on captive-bolt stunners is about the practice’s possible link to the spread of mad cow disease, which I hadn’t heard of before.)

The designer had also gathered other elements of their battery of other PR tools, including a classroom poster which lists all the useful things “hogs” become a part of — cosmetics and buttons at home, concrete and floor wax in your school. (I don’t know about you, but when I was a kid, floor wax was the first thing I thought when I thought “school.”) Also crayons:

Then there was a bookmark,

which thoughtfully and earnestly tried to challenge kids’ reading comprehension skills by having them use those unscrambled words in sentences like “The protein in pork gives kids the power to fight diseases and build _______.”

Fsck Stephen King — all I need to make the hair on my arms stand up is a big ugly PR campaign. I guess there’s a few bright sides… some vegetarian organization has taken www.pork4kids.com‘s homonym, www.porkforkids.com, and put up enough concise counter-propaganda and hideous pictures to slap my sliding vegetarianism into shape, at least… then, to boot, the Other White Meat site has one of those text areas which is somehow messed up and allows you to alter it, leaving me the opportunity to vent my frustrations:

If only that actually allowed you to change the page’s code… sigh.

* * *

To be continued…

No More I Leave Yous / About The Author

I spent the last week in California on what turned out to be a sort of fact-finding mission about my family, mixed in with some furious groping about my academic future, a rite of passage for my little sister, and the smell of suntan lotion under redwoods — in other words, a little too intense to write about. Also, it was just more of the same: silence within families was the ongoing theme, as it has been lately. An elderly relative on my Dad’s side is not being informed about the mental illness of another elderly relative on my Dad’s side, as these two have always had a rivalry and the healthy relative is likely to gloat if s/he finds out. My preference would be to tell the healthy relative, then lay the smackdown when she starts to gloat. (Pardon me — I meant “tell her it hurts my feelings and the feelings of other family members,” not “lay the smackdown.” See? All those years of counseling to communicate good — I say my feelings good now! All proper goodspeak.)

On top of this all I managed to get totally alienated from my co-workers (what do you MEAN you’d rather fight traffic back into San Francisco and stay in a cheap hotel than sleep under the stars in the Marin Headlands?!) and get in a public fight with my boss, who called me immature after I spoke out of turn at a meeting. When she went for a long walk and was late to the next event, I nervously assumed I’d done something drastically wrong and she was trying to walk off steam… subsequently, the rest of my trip was spent feeling an axe was being held to my neck professionally. (Have I mentioned my depression is the kind they call situational? Hormonal, to some extent, as well, but every chemical reaction has its catalysts. And this, my dear, is why I don’t like to make binary evaluations of any given day.) I had enough optimism to get me through meetings with two Stanford anthropology/education professors on Friday, but said some genuinely stupid things to a third, a dance historian I revere, leaving me to consider my inveterate boobery (and lack of academic focus) as I slouched back to Santa Cruz to watch my sister graduate.

Poor Sly was running around with a blank look in her eyes, a final paper due and mortarboard to buy and two years’ worth of apartment to move out of. Exactly the kind of scene I had been looking to avoid by giving Hampshire graduation the pass this year, but I guess it’s not peculiar to the college: this kind of terminal anxiety that comes of having to strike your tent every four months, and not being sure where you’ll set it up again. All in all Sylvie seems to have her sh!t together more than I did at graduation; still I wish I could have helped her out more Or had more of those screaming-laughing-falling-asleep conversations sisters have at night. But Sly’s got this adorable if somewhat impenetrable case of monogamy going on… they gnaw on each other and growl like overgrown jackal puppies. OK, I can’t describe it, but it’s cute. Kind of compelling.

Then there was my aunt Patti and her husband Bruce initiating me into a web of Uncle Bonsai songs and games with license plates… and my eleven-year-old cousin Jesse gave me a very detailed synopsis of Seabiscuit, which he’s reading… and Dad making the kind of blissed-out second-childhood jokes he’s gotten into lately, laughing his head off as he tried to take candid photos of some guy proposing to a girl, threatening to sell the shots back to them…

They sent me home to New York after particularly despondent goodbyes. At the end I had a long black taxi ride back to my house; the first cockroach I’d seen in years scouting me across the metal countertop and a fridge empty even of the piecemeal lunches I’d started to miss while they were feeding me so much out in California — everything in butter, two and three dishes at a time until I wondered why I kept eating… isn’t pleasure for the mouth a trial for the body?

All of this to say that I won’t be blogging tonight, because I don’t have anything out of the ordinary to say (see “inveterate boobery.”) And I couldn’t even find much from the vaults which doesn’t seem narcissistic or naive at the moment (ibid), especially viewed from the middle of Jhumpa Lahiri’s book, where I’m finding first-person narrators who aren’t the center of the universe and feeling ashamed again that I can’t shut up and get out of the way. But I did dig up the following, which used to be floating around on earlier versions of my website and which was intentionally frivolous and self-indulgent to begin with, even as it managed to capture the desperation I felt when I was going through roughly what Sylvie is. Not that I think my less-histrionic sister will feel the same way. (Extra points if you can find the essay of which this is a parody.)

“How Do You Like It Now, Grandmother?”

(Apologies to Lillian Ross, and Ernest Hemingway, and E.B. White, and all sorts of other people.)

G. Andrews, who would like to be the next Great American Author but somehow only manages to muster petty “features” poop about dancing and pets, avoided New York until it was unavoidable. Her best years were spent in a “rustic” rented bungalow (known as “the Washburn House” or “that collapsing sty of Jughead’s”) in suburban Southern California with her mother, a Scottish roommate and her daughter, no domestic staff, two cats, four dogs, three lagomorphs and a cavy, hamsters, mice, three caged birds who sang for no apparent reason, a couple of hundred imaginary horses, and her twin sisters. Late in 1999, lured by false promises of employment, she moved to New York thinking it would only be for six months. She sent her friends in the city email warning them she would doubtless be crashing in their already over-crammed housing.

“I don’t want to land a job I don’t like, nor work publicity, nor be tied down for more than a year,” she went on. “Want to go to CBGB’s, the Algonquin, protest Giuliani’s homeless policy, ditto his police force, and get arrested. Want to see the great elephant-dung Madonna at the Brooklyn Museum, the one, no two, fine Kander and Ebb musicals and Mr. Hayao Miyazaki’s Nausicaa. Don’t know nor care where Toots Shor’s is. Am going to try to get into town and out without having to breathe the foul soot. I want to avoid the subway entirely. Not liking New York is not a pose. It is only to try to preserve my health and sanity.” In her sig file, she added, “Unh! Spawn! Unh! Spawn! Spawn!”

She was a day late when she drove into Sunnyside, scraping a white car with her rental truck as she pulled into the too-narrow street. She was hauling boxes out of the truck when I found her. She had one arm around a scuffed, dilapidated accordion case pasted up with pictures of They Might Be Giants. She had the other around a purple kennel containing a black cat with enormous tits. Gus had on a grey overcoat, a turquoise plaid shirt with sleeves too long for her arms, a tee-shirt with a Dali print on it, a red skirt printed with snails, striped tights, candy-apple-red vinyl shoes and mismatched socks, and she looked crazed, crazed, and ever so slightly crazed. Her hair, which was tousled and flopped in her eyes, looked like Beck’s. There was a red Cyrillic May Day button on her frayed collar, and a Hampshire College wallet falling out of her overcoat pocket. Gus readjusted her arm around the accordion case and said that inside, along with a sleek 12-bass Contello and two Palmer-Hughes instruction booklets, was the highlighted and chopped-up draft of her college thesis on education, labor, the computer industry, whose title and contents she wasn’t about to reveal to anyone. She readjusted her arm around the kennel and nearly dropped it. The cat’s name, as her I got it in a crazed introduction, was Ralph, and she had big tits and no brains to speak of. Ralph shifted in the kennel, and Gus nearly dropped it again. “Ralph read thesis all way here in car,” Gus said. “See? Don’t ask to read thesis,” she added, giving the kennel a little shake and a crazed look.

“Myow!” said Ralph.

“Thesis too much for her,” Gus said, speaking like Ernest Hemingway, or a Neanderthal. “Thesis start over-ambitious, then increase in absurdity till unabashed hubris makes it impossible to stand. I combine half-assed assessments of future of open-source software with narrow anecdotal evidence, naive Marxist theory of professions. Had to provide gas masks for committee. Thesis is like big, steaming pile of poo.”

“Myow!” said Ralph.

Gus dropped the kennel. “Was trying for no-hit game in thesis,” she said. “Almost. 1-11. I lose.”

Ralph licked her own butt.

“She’s worse thesis than board game about Hampshire,” Gus said. “Worse than Frisbee thesis or posters for science fiction movie never made. Worse than children’s book about tarantulas. Look it up, see for self.”

She let the cat out of the kennel. Ralph rocketed under the couch and stared out with an air of ivory-tower hauteur.

Gus watched her go, and then turned to me. “After you finish college, you know, you’re dead,” she said moodily. “That is, in the definition of a friend of mine who said that having a life meant having a car, a job, your own place to live, and a significant other. If you go to college and the “marketable skills” you learn apply to EVER SO MATERIALLY ENRICHING fields like public health and performance art, well then, you’re dead by her standards.

“But no one knows you’re dead. All they see is the scintillating future they thought you had when you graduated from high school with 1410 SATs and an A- average. Meanwhile, your friends are working for movie studios and not getting paid or working for The Man and contemplating suicide.” Illness had brought Gus’s weight down to 125, but she was still thinking of selling her breasts to someone who actually wanted them, and that would make her even lighter, wouldn’t it? “They can’t yank overachievers like they can pitchers,” she said. “Overachievers have to go the full nine, even if it kills them.”

Great, it’s not just mouse poop, it’s CORPORATE mouse poop

I love my little sister. She’s come up with the bestest, most cutting-edge advertising campaign *ever*.

Herbuveaux: hi

SolonsRoz: hey you wanna hear something gross?

SolonsRoz: MOUSE TURDS

Herbuveaux: mustard

SolonsRoz: ALL OVER MY DESK

Herbuveaux: ew!

Herbuveaux: at home or work?

SolonsRoz: HANTAVIRUS!

SolonsRoz: work

Herbuveaux: not good at all!

SolonsRoz: HANTA

SolonsRoz: VIRUS

Herbuveaux: well, goodness!

Herbuveaux: maybe it’s stuart little?

Herbuveaux: some new advertising ploy?

SolonsRoz: stuart “HANTAVIRUS” little

SolonsRoz: LOL

SolonsRoz: we give you hantavirus!

SolonsRoz: come see our movie!

Herbuveaux: that’ll be the fourth installment

Herbuveaux: once they’ve already done “stuart in space”

Herbuveaux: and “stuart goes to vegas”

SolonsRoz: and “stuart goes to hell”

SolonsRoz: oh wait, stuart goes to Vegas, right.

Herbuveaux: lol

Herbuveaux: right.

The Horse In The Living Room

Last year the Kentucky Derby was won by a horse named Fusaichi Pegasus. A striking name, not so much on its own terms as it is for its inclusion of a Japanese neologism. (It doesn’t really mean anything; it’s the name of the owner, Fusao Sekiguchi, combined with the number one.) The ranks of Derby winners are swollen with horses named things like Spectacular Bid and Majestic Prince.

The usual crew of WASPy ABC sports announcers was so completely baffled by the name that they shortened it to Pegasus. The announcers’ handling of their cultural illiteracy was less than graceful — “You say ‘Fusachi.’ I say ‘Fusichi.’ Let’s call the whole thing off,” quipped one — and the problem of Fusaichi Pegasus’s name became the subject of a few articles itself.

The mispronunciation was really the tip of the iceberg, though. There was this subtle fascination with the idea of a Japanese horse winning the Derby which pervaded the sentimental pre-race bios of the horses and their owners and the announcersÂ’ patter. And then, in the winnerÂ’s circle, the subtle jingoism surfaced: Jim McKay, an ABC announcer who was due to retire from Derby coverage that year and looked as if he was fighting off senility with every quip, made some kind of reference to payback and World War Two to Mr. Sekiguchi.

Fast forward to this year: War Emblem, a hotheaded black colt with a tendency to bite anything that comes near him, wins the Derby, and also the Preakness. Emblem is owned by a Saudi.

I expected similar treatment by the media in this case, but IÂ’ve picked up surprisingly little racist static during this yearÂ’s Triple Crown coverage. (Disclaimer: I substantially cut back the amount of pre-race coverage I absorbed this year, so this observation may not hold much water.) Arab countries do send plenty of horses to American racetracks each year; making a fuss over it would make about as much sense as bringing up the Boston Tea Party if an English horse won (though I’m sure, by this point, Jim McKay would be happy to oblige).

Still, with the amount of jingoism in the atmosphere at the moment, I was surprised when there were only a few low-key references to the fact that Ahmed bin Salman is, in fact, a Saudi Arabian prince. Another explanation in the broader picture, I guess, is that Saudi Arabia is such a strong and constant ally of the States that it just doesnÂ’t merit a mention. Same reason it rarely gets mentioned that many of the members of al Qaeda are Saudi nationals.

And when you look at it in that light, seeing the cameras lap up the image of a fat royal from an OPEC superpower and the silver-haired, Hollywood-caliber trainer of his horse giving each other bear hugs over the victory of their million-dollar athelete… then proceeding down to give more bear hugs to the very tiny Latino man sitting atop the sweaty beast… and who knows what’s in store for the jock (a broken collarbone, someday, maybe?) but you know the horse has just secured his future as the producer of million-dollar semen rather than joining the ranks of the thirty thousand other racehorses who are sold for dogmeat each year… well, for those of us who tend to look dimly on the status quo of globalization, this sounds like a very familiar story.

And speaking of which, everyone needs to go read about how the Bush administration’s debts to the oil industry may have kept us from knowing about September 11th before it happened. read up.

Goings On About Town: On About Town Goings-On (Ongoing)

Had a press club today at work. This is one of the many things our ambitious little nonprofit does: arrange for speakers to come and talk to reporters from the minority, immigrant, and community newspapers in the city (we say “ethnic,” but I’m getting exceedingly tired of how clumsy that word is. There are over 275 publications in this category, at present count, and we find more every day).

Sometimes the speakers are public figures who are eager to give their pet project or personal image a higher profile in these communities; the State Attorney General, representatives from the September 11th Fund, and Mark Green fell into this category. Sometimes, because the IPA has a mandate to promote social justice, we put together panels of experts who can put a fine point on big pressing issues. That’s what we did today: got a bunch of local welfare and hunger experts together and had them talk to reporters about how seniors in their communities would lose Meals on Wheels programs, ESL classes, and senior centers as the Mayor cuts the budget for the elderly (it’s among the only funds in the city budget which are at his discretion) and as Congress monkeys around with welfare, continuing to exclude immigrants — who do, at the very least, pay sales taxes like everyone else, so don’t tell me they’re receiving without contributing — from receiving benefits.

It was sort of a comical scene, as we ended up once again with more experts than reporters in the room. It’s fantastically difficult to interest journalists, who tend to be middle-class, in the subject of welfare; it’s doubly hard when you’re trying to reach groups with “model-minority” complexes, like Asians, in a subject whose importance to their community you would rather not acknowledge. In light of this I’m not doing to criticize the turnout; I did some extra legwork, and we ended up with reporters from three major Chinese dailies and a very solid reporter from a prominent Indian paper.

Anyway, all of this is just background to clear up what I actually do all day, for those of you who keep asking (I get the space rented, put together a flyer, mail the flyer to the editors, fax the editors, email the editors, CALL the editors and make it clear that yes, this issue does in fact have DIRECT and IMMEDIATE bearing on residents of the Uzbeki Sephardic Jewish community and would they PLEASE send a reporter from their 2,000-circulation newspaper); all of this is just a frame for today’s winning anecdote. In the course of the briefing, the director of the New York City Coalition Against Hunger alluded a few times to the stigma on seeking assistance from food pantries in a way that really struck me.

“Enron wasn’t ashamed to receive assistance from the government,” he barked, at one point. And, later, when fielding a question about faith-based assistance centers stepping in to help: “When the airlines were in trouble after September 11th, the government didn’t say, ‘Let the churches do it.'”

You hear lefties talk about “corporate welfare” all the time, and it’s a good way to underline the differences in our attitudes about the government giving money to the rich and to the poor. After a while, though, it becomes just another buzzword. Mr. Berg’s example does more to unpack our presumptions about assistance. And I’m really tickled by the idea of the Jesuits bailing out American Airlines. Not only does it recall that people once took it as a given that the government was supposed to help those in need; it also alludes to the absurdity of the moral presumptuousness of faith-based initiatives. I just wanted to add these tools to everyone’s rhetorical arsenals.

* * *

Three stops before mine on the 3 train on the way back, I was smacked by a wave of nostalgia as a man in a suit sat down next to me, smelling like something which I couldn’t identify but which was certainly related to Southern California. I was in a more talkative mood than usual, so I asked him if he could explain why he smelled like the San Gabriel Mountains. Bay tree, or sage, or mustard, I said. Or honeysuckle. He laughed uncomfortably and said his chiropractor had rubbed him down with some kind of salve.

He had some kind of Germanic accent, so he probably knew even less about the San Gabriels than I had calculated. Oh well. At least I talked to a stranger today.

* * *

I applied for a credit card today. An application for a Yale University Platinum Visa came in the mail, and it had a $100,000 line of credit and frequent-flier miles, so I had these visions of playing up Ivy League connections to get better service from staff at some ritzy hotel while racking up astronomical bills for grapefruits or mescaline or Underwood typewriters in some fly-by-night Hunter S. Thompsonesque orgy… The woman in the phone bank on the other end of the line said the card came in two different designs, the Harkness Tower Platinum or the Woolsey Hall Platinum… “Which one of them two designs would you like?,” she said, and I came thudding back to earth with this emphasized indication that of course neither of them two buildings meant anything to her or to me… this woman on the other end, who might have been in Massachusetts, or maybe Maine, plodded with great deliberation through her script, herding her words back into line when they strayed from it… and of course, in the end it turned out the $100,000 line of credit was not meant for us, either.

* * *

Did you know that if you want to look for antique typewriters, all you have to search for on Google is “typewriters”?

The Myth of the Uncommunicative Father

I read Sharon Olds and Joan Didion and Sylvia Plath, all these writers of recent rebellious generations, the ones of whom it was said you can never go home again — people who dig out the viscera of their relationships with their parents and slap them into the pages of novels. I admire these women. I often think you canÂ’t write well without doing it. At least thereÂ’s a certain caliber of honesty which is easier to achieve once youÂ’ve practiced it on this difficult subject.

But I donÂ’t do the gut-digging myself. I almost never post anything about my family here; certainly never anything sensitive, nothing I wouldn’t want my parents to read. They read the blog before anyone else does. In a fit of frustration I posted something angry the other day, but I took it down. The fourth wall on the Internet is a piece of two-way glass, a very thin skin; it doesnÂ’t afford the protection of a few hundred hardbound pages.

(cracks knuckles)

I am the one in the family who talks. I talk on paper, over the wires, on camera, and on stage, as well as face to face.

Maybe itÂ’s not truthful for me to claim a monopoly on this skill; everyone in the family is good with puns and Scrabble, and Mom and Sly are also known for talent in foreign languages. I think itÂ’s fair to say, though, that no-one in my immediate family is as obstreperous as I am.

(Obstreperous… gregarious? My thesis here is ultimately about failings of human connection, so it doesnÂ’t matter that IÂ’m loud or that I can put together a decent sentence; IÂ’m just as big a failure as anyone I accuse when it comes to being a good friend or lover. And IÂ’m trotting out the big obfuscatory words for this one, clearly. I want to say that singing in the mineshaft has its uses. One way or another:) Everyone else in the immediate family is more reticent; talking is my genetic recessive trait, my mutant ability.

For a while I thought my mutant ability was sheer emotion, summoned up like a ball of pure energy I could use for creativity or harm. I decided this after I failed my first driverÂ’s test at age nineteen, when I broke down in furious sobs in the backseat. My fit evoked a new and startling kind of panic in my mother, who stopped the car and yelled at me to grow up. That was also the first day it was clear that adulthood was a slipcover thrown over unmanageable neuroses.

Let’s put the point on it thus: Everyone in the family’s got words. Mine just have the jo-jeezly electromagnetic mutant vigor in ‘em.

I have heard my mother describe the reasons for my parentsÂ’ divorce only twice, two years ago and again two weekends ago. The first time the metaphor she used was so strange I convinced myself she hadnÂ’t actually said anything of substance at all. She said the marriage was like the two of them sitting back to back with a pillow, or something soft and squishy that represented their marriage, between them. Not talking. And she confronts Dad about not talking, and he whips around and stabs the pillow and hisses How could you?

The metaphor was weird, but to some extent it jived with what I had figured out at the time of the divorce. The period leading up to the divorce had been eerily silent; no yelling, no thrown dishes, no crying. The idea of the Noncommunicative Father fit into the crude protofeminist worldview I was beginning to fashion back then. My maternal grandfather was already estranged from the family. My paternal grandfather was very quiet. After moving out, Mom lived with another woman who was going through an ugly divorce from a man who was a truly devious person. Men were all clearly bad communicators, by nurture. I sided with mom.

During the summer after my parents announced the divorce, they dragged me to a shrink. How was I to know what I was supposed to say? I had been given no vocabulary for talking about feelings or relationships. I sat in sullen silence the entire time.

I knew a shrink was a doctor for your mind. Clearly they were telling me I was sick. That confused me and made me angry; the divorce was their problem, not mine. Why were they pathologizing a childhood IÂ’d been happy with? In my view, it had only been marred by mild social isolation after our move across country when I was five. I tried to explain myself, but it all came out in pop-culture references.

I donÂ’t ask why I was sent to the shrink. I did talk to my mom two weekends ago about the divorce, and she said the same thing she did before: Your father didnÂ’t want to talk about the relationship. It still doesnÂ’t make any sense to me: How is noncommunication a universe-ending problem, once youÂ’ve identified it?

So much of my life has hung on the idea of the Noncommunicative Male. It has colored each of my relationships and a few of my courses with male teachers. It damaged my relationship with my father. I took it as gospel truth.

It didnÂ’t occur to me for years that the silence might have been two-way, and that IÂ’ve been trying to fit my life story into the wrong mold. Maybe I should have been trying to fit the story of my life into some other story — the narrative of The Woman Who Had A Fantastic Secret Inner Life, But Never Told Anyone About It, maybe; or, more broadly, The Family Struggling Against Its Tight-Lipped, Prudish Heritage (subtitled One Hundred Years Of WASP Solitude).

I figured out five years ago that I needed to reconsider how I understood my own history and motives in light of the fact that I am depressive. I learned a few years later that my father, also, is depressive. IÂ’m still mad at him for not giving me advance warning that I was at risk. IÂ’m going through other troubles now — ainÂ’t doing right by my sweet, devoted, patient boyfriend — and surprise, IÂ’m starting to find out this whole thing was foretold, in a way, by curious patterns in my family history.

Goddamn it, all I want to know is what other timebombs you people have planted which you havenÂ’t told me about. Am I at risk for HuntingtonÂ’s Disease? Is there a family history of pedophilia which IÂ’m suppressing?

I have no role models for good relationships. IÂ’ve had to practice over and over, leaving any number of young men gnawed and scratched and battered. To whom is silence fair?

We are still not talking, now, even as I call you and ask you and you finally talk. Maybe our kids will understand better if they can see this written down.